StudioLive 24.4.2 Features:

• 24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
• 4 subgroups
• Stereo/mono main out
• 10 auxiliary mixes
• 
  32-in/26-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)
• 
  Studio One Artist Digital Audio Workstation software for Mac™ and PC
• Capture™ 1.1 recording software for Mac™ and PC
• Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
• 24 channel strips
• Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
• +48V phantom power switch for condenser microphones
• FireWire Input Select
• 100 mm precision faders
• Lighted Solo and Mute buttons
• Access to Fat Channel functions
• 15-LED ladder metering + clip LED
• Analog ¼" insert (rear panel)
• 4 subgroup buses, each with:
  • Solo
  • Mute
  • Access to Fat Channel functions (except high-pass filter and phase reverse)
• 10 aux sends, each with
  • Solo
    
  • Pre/post-fader send
  • Output-level control
  • Access to Fat Channel functions (except phase reverse)
  • Mix and Mix/Pan Fat Channel metering
  • Available sources:  24 input channels, Aux A and B, Tape Input, Talkback
• 2 internal effects sends, each with:
  • Mute
  • Pre/post-fader send
  • Output-level control
  • Access to Fat Channel (except phase reverse)
  • Effects-send Select for Fat Channel metering
  • Mix button for aux-bus mixing and Fat Channel metering
• Master Section
  • Aux Input A and B
  • Level Control and Select (Fat Channel ­metering) switch
  • Access to all Fat Channel functions (except phase reverse)
  • Talkback System
    • Mic Level control
    • Output Select ( Aux 1-2, 3-6, 7-10, Main)
    • Talk button
    • Rear-panel XLR mic input with level control and continuous 48V phantom power
  • 2 Track In
    • Level control
    • Tape Input to Mains button
    • FireWire source on/off
  • Solo Bus
    • Cue Mix volume control
    • PFL/AFL and Solo In Place (SIP) buttons
  • Monitor Bus
    • Headphone-output level control
    • Control-room monitor-level control
    • Solo Bus to Monitor button
    • Tape Input to Monitor button
    • Main L/R FireWire Return to Monitor button
    • Main Mix to Monitor button
• 
  Fat Channel with rotary encoders:
  • Pan with dedicated 15-LED display
  • Stereo link for input channels, aux buses, and subgroups
  • Phase reverse (main channels only)
  • High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux’s only)
  • 4-band fully parametric equalizer
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • Gate: Threshold: 0 to –84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
  • All settings can be copied among channels and saved as user presets.
  • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
• 2 internal digital effects-processors, each with 50 customizable reverb and delay presets
  • 31-band graphic equalizers
    • Assignable in four stereo pairs
    • Mono or stereo operation
    • Main outputs, aux outputs, subgroup outputs
  • Scene Store and Recall
  • Global Scene Storage: all current StudioLive settings
    • Up to 80 at a time
  • Automatic Global AutoStore
  • Individual channel-strip Scene storage
    • Up to 48 at a time, plus…
    • 50 factory presets for instruments and vocal
  • Copy and Paste between channels
  • Customizable naming (for example, “Saturday Gig” or “Main Worship Service”)
  • Lockout mode to keep inspired amateurs from changing your settings
• Metering/Displays
  • 24 x 16- LED Fat Channel matrix:
    • Pre-dynamics/pre-fader input
    • Post-dynamics/post-fader output
    • Gain reduction
    • Aux 1-10 and EFX A/B output
    • Fader-position recall
  • 8 x 15-LED main meter bank
    • 
      Selected channel level
    • Selected channel gain reduction
    • Sub buses 1 to 4
    • Main stereo outputs
  • 15-LED horizontal Pan/Balance display
  • 64 x 194 LCD matrix
    • Effects parameters
    • Scene creation, storage, and recall
    • System menus
  • 2-digit Channel Selected display
• Input/Output
  • 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
  • 2 ¼" stereo (L/R) aux inputs
  • 
    1 XLR talkback-mic input with phantom power and level control
  • Unbalanced RCA stereo (L/R) tape inputs and outputs
  • XLR stereo (L/R) main outputs with level control
  • ¼" stereo (L/R) main outputs
  • XLR mono output with level control
  • ¼" stereo (L/R) control-room outputs
  • ¼" Headphone output
  • 4 ¼" subgroup outputs
  • 10  ¼" aux outputs
  • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
  • 2 FireWire 400 ports
• Digitalia
  • High-definition analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1 kHz and 48 kHz
• Physical
  • Rugged, non-flex steel chassis
  • 100 mm long-throw faders
  • Military-grade, quick-touch buttons
  • BNC 12V lamp socket
  • Optional dust covers available