En noe mindre bror til suksessene StudioLive 16.4.2 og 24.4.2. En kraftig mikser med utrolige muligheter i forhold til størrelsen.
12 X-max mikrofoninnganger
(evt. 8x-max + 4 stereo linjeinnganger.)2 digitale
effektprossessorer, direkte hentet fra storebrødrene sine. Firewire tilkobling og
midi-interface gjør den klargjort for både studio og scene. Capture softwaren som følger
med gir mulighet for full multitrackrecording og StudioLive Artist softwaren
gir uendelige redigeringsmuligheter. StudioLive Universal Control
gir full monitorering over mikserens innstillinger og kan linkes trådløst
videre til full kontroll via iPad/iPhone. På hver kanal finner man både
EQ, kompressor og Gate.Det er 4 auxer med egne
masterfaders.Talkback inngang med egen
x-max preamp.
Meet the StudioLive 16.0.2!
Our StudioLive™ 24.4.2 and
16.4.2 changed the game, offering amazing performance and ease of use for a
great price. Now we’ve packed the same audio quality, performance, seamlessly
integrated software (including remote control) into a smaller, even more
affordable package.
Small size. Bigger possibilities.
In a “footprint” of less
than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers
8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A
solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the
Talkback input has one, too.)
But don't let its size
fool you; the 16.0.2 is jam-packed with features and processing power, employs
the same workflow and easy-to-use mixing-surface design as the bigger
StudioLive boards, and sounds every bit as good, with the same high-definition,
wide-dynamic-range, digital converters.
More than a mixer: an integrated system.
The 16.0.2 integrates a
16x16 FireWire interface and comes with Capture™, Studio One Artist™ recording
and production software, and Virtual StudioLive, bidirectional control
software, and it works great with our free SL Remote iPad and iPhone control
apps.
130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel
is well stocked with compressors, limiters, gates, phase reverse, high-pass
filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point
effects processors deliver delay and reverb effects.
Our first compact mixer with MIDI control from a footpedal
Moreover, a glance at the
rear panel reveals that "Junior" offers something the two bigger
boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI
Program Changes, control the main output volume and effects level, and even
mute effects between songs—all thanks to the magic of MIDI control.
What was then is now: complete store and recall.
Two factors work against
getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard
to reproduce a week, day, or hour after you perfect it. And second, a good mix
should be dynamic: levels, effects, and EQ should be tailored to each song or
segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings
for quick setup and recall.
You’ve read the book. Now see the movie(s).
Watch the 16.0.2 overview
video at the upper left side of this page. Then, because the 16.0.2 has so much
in common with our other StudioLive mixers, watch some of the other 60+ videos
about how to use our StudioLive series. You find them on the 16.4.2 and 24.4.2
product pages…or search for “StudioLive” on YouTube and Vimeo.
r.
Because nothing beats actually getting your hands on a StudioLive digital
mixer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we
mean about Class A preamps, rich DSP effects, and overall sound quality.
You'll come to believe in StudioLive family values. And you'll understand why
StudioLive 16.0.2 is the most exciting new, small-format digital mixer on the
planet.
8 mono mic/line channel inputs, each with:
o High-headroom Class A XMAX™ mic preamplifier
o XLR mic and balanced ¼" line inputs
o 60
mm precision fader
4 stereo line channel inputs, with:
o High-headroom Class A XMAX™ mic preamplifier (Ch.
9, 11, 13, and 15)
o XLR mic inputs (Ch. 9, 11, 13, and 15)
o Balanced
¼" line inputs (Ch. 9-16)
o Unbalanced RCA line inputs (Ch. 13-16)
o 60
mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and
delay presets
Fat Channel signal processing on all channels and buses, with:
o 3-band semi-parametric EQ (individual band on/off)
o Full-featured
compressor
o Standard
downward expander
o Limiter
o Phase reverse (12 mic preamplifiers only)
o Pan
with dedicated 15-LED display
o Stereo link for input channels and aux buses
o High-pass
filter
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
o Compatible with most audio software via ASIO,
Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user
presets.
Software bundle for Mac® and Windows® includes:
o PreSonus Studio One Artist™ digital audio
workstation
o PreSonus
Capture™ live-recording software
o PreSonus Universal Control with Virtual
StudioLive™ bidirectional mixer-control software
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
o Scene
and FX Preset recall
o Main Volume, FXA, and FXB output levels
o FXA and FXB assign/unassign to Mains
Free StudioLive Remote iPad® wireless-control software available at the
Apple App Store
Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows
Windows 7, Vista, XP (32-bit and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64
(Turion) (2.5 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.5.2 or later (32-bit and 64-bit)
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz
processor (2 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Windows
and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly
recommended
Note that the speed of
your processor, amount of RAM and size and speed of your hard drive will
greatly affect the overall performance of your recording system. Also, a more
powerful system (faster processor with more RAM) will allow for lower latency
(signal delay) that you might experience while monitoring audio or MIDI
signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768
pixels.
Known
compatible and incompatible hardware
|
Microphone Preamp
|
|
Type
|
XLR Female, Balanced
|
|
Frequency Response to
Direct Output (at unity gain)
|
20 Hz-40 kHz, 0 / -0.5 dBu
|
|
Frequency Response to
Main Output (at unity gain)
|
20 Hz-20 kHz, ± 0.5 dBu
|
|
Input Impedance (Balanced)
|
1 kΩ
|
|
THD to Direct Output (1
kHz at unity gain)
|
< 0.005%, +4 dBu,
20 Hz–20 kHz, unity gain, unwtd
|
|
THD to Main Output (1
kHz at unity gain)
|
0.005%, +4 dBu, 20 Hz-20
kHz, unity gain, unwtd
|
|
EIN to Direct Output
|
+125 dB unwtd, +130 dB
A-wtd
|
|
S/N Ratio to Direct
Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
|
-97 dB
|
|
S/N Ratio to Main Output
(Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
|
-94 dB
|
|
Common Mode Rejection
Ratio (1 kHz at unity gain)
|
+65 dB
|
|
Gain Control Range (± 1 dB)
|
-16 dB to +67 dB
|
|
Maximum Input Level
(unity gain)
|
+16 dBu
|
|
Phantom Power (± 2 VDC)
|
+48 VDC
|
|
|
|
Line Inputs, Balanced
|
|
Type
|
1/4" TRS Female, balanced mono
|
|
Frequency Response to
Direct Outputs (at unity gain)
|
10 Hz-40 kHz, 0 / -0.5 dBu
|
|
Frequency Response to
Main Outputs (at unity gain)
|
20 Hz-20 kHz, 0/-0.5 dBu
|
|
Input Impedance
|
10 kΩ
|
|
THD to Direct Output (1
kHz at unity gain)
|
<0.0007%, +4 dBu, 20
Hz-20 kHz, unity gain, unwtd
|
|
THD to Main Output (1
kHz at unity gain)
|
<0.005%, +4 dBu, 20
Hz-20 kHz, unity gain, unwtd
|
|
S/N Ratio to Direct
Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
|
-105 dB
|
|
S/N Ratio to Main Output
(Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
|
-94 dB
|
|
Gain Control Range (± 1 dB)
|
-20 dB to +20 dB
|
|
Maximum Input level
(unity gain)
|
+22 dBu
|
|
|
|
Line Inputs, Unbalanced
|
|
Type
|
RCA Female, unbalanced
(stereo pair)
|
|
Maximum Input Level
|
+22 dBu
|
|
|
|
Main Outputs
|
|
Type
|
XLR Male, balanced
(stereo pair); 1/4” TRS Female, balanced (stereo pair);
|
|
Rated Output Level
|
+24 dBu
|
|
Output Impedance
|
10 kΩ
|
|
|
|
Aux Outputs
|
|
Type
|
1/4” TRS Female, balanced (mono)
|
|
Rated Output Level
|
+18 dBu
|
|
Output Impedance
|
51Ω
|
|
|
|
Monitor Outputs
|
|
Type
|
1/4” TRS Female,
balanced (stereo pair)
|
|
Rated Output Level
|
+18 dBu
|
|
Output Impedance
|
51Ω
|
|
|
|
System Cross Talk
|
|
Input to Output (Ref =
+4 dBu, 20 Hz-20 kHz, unwtd)
|
-90 dBu
|
|
Adjacent Channels (Ref =
+4 dBu, 20 Hz-20 kHz, unwtd)
|
-87 dBu
|
|
|
|
Noise Gate (Expander)
|
|
Threshold Range
|
-84 dB to 0 dB
|
|
Attack Time
|
Adaptive (0.2 - 2.5 ms)
|
|
Release Time
|
70 ms
|
|
Expander Attenuation Range
|
2:1
|
|
|
|
|
|
|
Compressor
|
|
|
Threshold Range
|
-56 dB to 0 dB
|
|
Ratio
|
1:1 to 14:1
|
|
Response Time (Attack/Release
|
0.2 ms / 1.0 s (“Tight”)
to 180 ms/1.0 s (“Smooth”)
|
|
Auto Attack and Release
|
Attack = 10 ms, Release = 150 ms
|
|
Curve Types
|
hard and soft knee
|
|
|
|
EQ
|
|
|
Type
|
2nd - order shelving
filter (Q = 0.55)
|
|
|
Low (Low-pass or
Bandpass)
|
36 to 465 Hz, ± 15 dB
|
|
|
Mid
|
26 Hz to 3.5 kHz, ±15 dB
|
|
|
High (High-pass or
Bandpass)
|
1.4 kHz to 18 kHz, ±15 dB
|
|
|
|
Digital Audio
|
|
|
ADC Dynamic Range
(A-wtd, 48 kHz)
|
118 dB
|
|
|
DAC Dynamic Range
(A-wtd, 48 kHz)
|
118 dB
|
|
|
FireWire
|
S400, 400 Mb/s
|
|
|
Internal Processing
|
32-bit, floating point
|
|
|
Sampling Rate
|
44.1, 48 kHz
|
|
|
A/D/A Bit Depth
|
24 bits
|
|
|
Reference Level for 0 dBFS
|
-18 dBu
|
|
|
|
Clock
|
|
|
Jitter
|
<20 ps RMS (20 Hz - 20 kHz)
|
|
|
Jitter Attenuation
|
>60 dB (1 ns in ≈ 1
ps out)
|
|
|
|
Power
|
|
|
Connector
|
IEC
|
|
|
Input-Voltage Range
|
90 to 240 VAC
(factory-configured for country of destination)
|
|
|
Power Requirements (continuous)
|
100 W
|
|
|
|
Physical
|
|
|
Length
|
15.56 inches (397 mm)
|
|
|
Width
|
16 inches (106) mm
|
|
|
Maximum Height
|
5.5 inches (140 mm)
|
|
Weight
|
20 Lbs.
|
|
|
As a commitment to
constant improvement, PreSonus Audio Electronics, Inc., reserves the right to
change any specification stated herein, at any time, without notification.
PreSonus 2011 Mixer Brochure (PDF)
download
8 mono mic/line channel inputs, each with:
oHigh-headroom Class A XMAX™ mic preamplifier
oXLR mic and balanced ¼" line inputs
o60 mm precision fader
4 stereo line channel inputs, with:
oHigh-headroom Class A XMAX™ mic preamplifier (Ch.
9, 11, 13, and 15)
oXLR mic inputs (Ch. 9, 11, 13, and 15)
oBalanced ¼" line inputs (Ch. 9-16)
oUnbalanced RCA line inputs (Ch. 13-16)
o60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with
customizable reverb and delay presets
Fat Channel signal processing on all channels and
buses, with:
o3-band semi-parametric EQ (individual band on/off)
oFull-featured compressor
oStandard downward expander
oLimiter
oPhase reverse (12 mic preamplifiers only)
oPan with dedicated 15-LED display
oStereo link for input channels and aux buses
oHigh-pass filter
One 31-band stereo graphic EQ (on main outputs
only)
16-in/16-out FireWire recording interface
(24-bit/44.1 kHz and 48 kHz)
oCompatible with most audio software via ASIO,
Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses
and saved as user presets.
Software bundle for Mac® and Windows® includes:
oPreSonus Studio One Artist™ digital audio
workstation
oPreSonus Capture™ live-recording software
oPreSonus Universal Control with Virtual
StudioLive™ bidirectional mixer-control software
Lockout mode protects your settings from meddlers
and accidents
MIDI Control Mode provides control over:
oScene and FX Preset recall
oMain Volume, FXA, and FXB output levels
oFXA and FXB assign/unassign to Mains
Free StudioLive Remote iPad® wireless-control
software available at the Apple App Store
Computer system
requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows
Windows 7, Vista, XP (32-bit and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64
(Turion) (2.5 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.5.2 or later (32-bit and 64-bit)
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz
processor (2 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh
Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly
recommended
Note that the speed of
your processor, amount of RAM and size and speed of your hard drive will
greatly affect the overall performance of your recording system. Also, a more
powerful system (faster processor with more RAM) will allow for lower latency
(signal delay) that you might experience while monitoring audio or MIDI
signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768
pixels.
Known compatible and incompatible
hardware
|
Microphone Preamp
|
|
Type
|
XLR Female, Balanced
|
|
Frequency Response to
Direct Output (at unity gain)
|
20 Hz-40 kHz, 0 / -0.5 dBu
|
|
Frequency Response to
Main Output (at unity gain)
|
20 Hz-20 kHz, ± 0.5 dBu
|
|
Input Impedance (Balanced)
|
1 kΩ
|
|
THD to Direct Output (1
kHz at unity gain)
|
< 0.005%, +4 dBu,
20 Hz–20 kHz, unity gain, unwtd
|
|
THD to Main Output (1
kHz at unity gain)
|
0.005%, +4 dBu, 20 Hz-20
kHz, unity gain, unwtd
|
|
EIN to Direct Output
|
+125 dB unwtd, +130 dB
A-wtd
|
|
S/N Ratio to Direct
Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
|
-97 dB
|
|
S/N Ratio to Main Output
(Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
|
-94 dB
|
|
Common Mode Rejection
Ratio (1 kHz at unity gain)
|
+65 dB
|
|
Gain Control Range (± 1 dB)
|
-16 dB to +67 dB
|
|
Maximum Input Level
(unity gain)
|
+16 dBu
|
|
Phantom Power (± 2 VDC)
|
+48 VDC
|
|
|
|
Line Inputs, Balanced
|
|
Type
|
1/4" TRS Female, balanced mono
|
|
Frequency Response to
Direct Outputs (at unity gain)
|
10 Hz-40 kHz, 0 / -0.5 dBu
|
|
Frequency Response to
Main Outputs (at unity gain)
|
20 Hz-20 kHz, 0/-0.5 dBu
|
|
Input Impedance
|
10 kΩ
|
|
THD to Direct Output (1
kHz at unity gain)
|
<0.0007%, +4 dBu, 20
Hz-20 kHz, unity gain, unwtd
|
|
THD to Main Output (1
kHz at unity gain)
|
<0.005%, +4 dBu, 20
Hz-20 kHz, unity gain, unwtd
|
|
S/N Ratio to Direct
Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
|
-105 dB
|
|
S/N Ratio to Main Output
(Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
|
-94 dB
|
|
Gain Control Range (± 1 dB)
|
-20 dB to +20 dB
|
|
Maximum Input level
(unity gain)
|
+22 dBu
|
|
|
|
Line Inputs, Unbalanced
|
|
Type
|
RCA Female, unbalanced
(stereo pair)
|
|
Maximum Input Level
|
+22 dBu
|
|
|
|
Main Outputs
|
|
Type
|
XLR Male, balanced
(stereo pair); 1/4” TRS Female, balanced (stereo pair);
|
|
Rated Output Level
|
+24 dBu
|
|
Output Impedance
|
10 kΩ
|
|
|
|
Aux Outputs
|
|
Type
|
1/4” TRS Female, balanced (mono)
|
|
Rated Output Level
|
+18 dBu
|
|
Output Impedance
|
51Ω
|
|
|
|
Monitor Outputs
|
|
Type
|
1/4” TRS Female,
balanced (stereo pair)
|
|
Rated Output Level
|
+18 dBu
|
|
Output Impedance
|
51Ω
|
|
|
|
System Cross Talk
|
|
Input to Output (Ref =
+4 dBu, 20 Hz-20 kHz, unwtd)
|
-90 dBu
|
|
Adjacent Channels (Ref =
+4 dBu, 20 Hz-20 kHz, unwtd)
|
-87 dBu
|
|
|
|
Noise Gate (Expander)
|
|
Threshold Range
|
-84 dB to 0 dB
|
|
Attack Time
|
Adaptive (0.2 - 2.5 ms)
|
|
Release Time
|
70 ms
|
|
Expander Attenuation Range
|
2:1
|
|
|
|
|
|
|
Compressor
|
|
|
Threshold Range
|
-56 dB to 0 dB
|